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RESEARCH PAPERS

Masculinity and Femininity in The Chess Players

The Chess Players stands in singular isolation as the only full-length feature
film in Hindi and Urdu in the oeuvre of the late Satyajit Ray. In making a
film where the locale is not his native Bengal, and in which he was to
employ a cast not drawn from the Bengali film world, Ray would appear to
have been venturing into...

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